In Carol Reed's THE THIRD MAN, the Wiener Riesenrad (German for "Viennese giant wheel"), shot in beautiful black and white, facilitates a pivotal meeting between Joseph Cotton and Orson Welles. อ่านเพิ่มเติม
In Carol Reed's THE THIRD MAN, the Wiener Riesenrad (German for "Viennese giant wheel"), shot in beautiful black and white, facilitates a pivotal meeting between Joseph Cotton and Orson Welles. อ่านเพิ่มเติม